Scar Stuff

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You guys are pretty fucking amazing. So many astounding emails & comments — I am fully blown away. For real.

Well okay, you win. Since it’s quite clear that I’ve pretty much got to come back for Halloween this year, I’m now on the hunt for a decent hosting situation. Once I’ve got that together (a few options are in the works) I’ll re-up all the old files and then get to work on adding some cool new ones (assuming, that is, that the rest of the increasingly astounding blogs which keep popping up haven’t already beaten me to it. It’ll be tough, trust me.)

In the meantime I guess I should point out (to any of the fine folks who have emailed me directly & might’ve missed the links hidden within the comments), that the lion’s share of the files I encoded, along with plenty more I wish I had, are actually already being capably hosted on a variety of other super-cool blogs run by some terribly committed people. While I don’t have a full list handy, here (off the top of my head) are a couple of good places to check (please feel free to add more in the comments):

Dave’s Mostly Ghostly Music Sharing Blaaahhhggg!!!

Cool Kooky Hip and Groovy

And as good as those are I know that if you search a bit you’ll find even more are out there as well — I honestly can’t even being to keep up with all the badical new blogs I’ve seen with even the most casual of searches.

Actually that kinda brings me to another small point I should at least mention: My main goal with this whole Scar Stuff project was really just to get these records back into as common a circulation as possible so that everyone could enjoy them, but during the process of trying to achieve this end I was really wiped out by the sheer volume of new audio that came at me from all angles as a result. So cool!

In fact it strikes me that the obsessive collectors here on the internet have an inborn anxiousness to play against type (read: creepy greedheads using arcane knowledge & rare media as a tool for wielding power over similarly inclined, but less flush, folks) — in my clicking around I mostly have seen them happy to scattershot a kind of guileless generosity, all of which couldn’t make me happier. In fact speaking of generous, if you like the stuff I was posting you probably should check out the Power Records Project Yahoo group — there are a few people on there who have REALLY set the bar high for friendliness & sharing (Hello Leland Dugger!). Poke around a bit & I doubt you’ll be disappointed.

Okay! So I guess now the hunt is on for some place to spend my file-hosting money. Any suggestions while I encode a few LPs & do some research? Thanks for a year of well-wishes & I promise I’ll talk to you guys soon!

Hey everyone — just a quick note to let you know that the files aren’t gone for good or anything, there’s just some behind-the-scenes server craziness that’s been going on. A-Number 1 Superfine Scott, the astoundingly gracious fellow who actually HOSTS the files has, in point of fact, been all over it, and there will probably be a full return to form within a week at the very outset. Sorry for the holdup, but we oughtta be back in business soon.

Back when I was about 4 or 5 my parents introduced me to a really cool series of books written by John Ciardi and illustrated by Edward Gorey. They were just spilling over with imaginative stories and poems, and I would stare at the fantastic art for hours either while reading them or begging to hear them read. While many of the pieces were enjoyably creepy and otherworldly, a particular favorite of mine was entitled “What Night Would it Be?”, which dealt directly with (surprise!) Halloween. Man, I could run that one over in my head forever.

Well as a short treat (since the great day is now upon us), here’s a recording of Ciardi reading that very poem with his young son John. It comes excerpted from the album version of “You Read to Me, I’ll Read to You” which was released by Spoken Arts back in 1962, and to complete the experience the perfectly creepy Edward Gorey art is bundled up with the zip file in a variety of sizes.

Happy Halloween everyone!

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Well hello there everyone. Nice to see you, nice to see you. So since it’s looking as though I’m probably not gonna have the time to adequately post much more before Halloween hits, this is probably as good a moment as any to thank everyone for all their amazing support & interest over the duration of this blog (the astoundingly cool & impressively rapid unearthing of an educational film I acted in back when I was 7 years old is only the most recent example of the great folks that are out there). I’ll probably be pausing for a bit here as well but don’t worry too much about the hiatus — I’m not closing up shop or anything. I’ll just be taking a short break in order to wrap up a few other things before I get back into the swing of it here.

I also figure that when I return I’ll probably concentrate at least a little more on some of my other aural interests for a spell, if only to try & get some balance in place after my mad dash towards Halloween 2006 (okay, okay — maybe it wasn’t really a “mad dash”, but you know what I mean). I’ve still got more creepy sounds to share though, and I sincerely hope that I’ve rekindled some old memories here as well as helped to provide fodder for new ones. Seeing this stuff pop up in various mixes and comps over the last few months has been amazingly cool (like right offa my turntable & into the spooky gestalt or something), as has the proliferation of all the other great blogs trading in a similar currency. There are a lot of dedicated people out there who are sharing half-forgotten and oddball stuff like there’s no tomorrow, and it warms me to the depths of my little baboon heart. I love the internet.

Okay! If I get a spare moment or two in the next couple days I’ll throw at least a few more things up but if not, I hope you enjoy spending time with what’s already here. See ya real soon, and Happy Halloween!

(original pic swiped from the Halloween Make Up Kits page off of the endlessly excellent Tick Tock Toys archive)

So far my film career has been pretty limited; in 1977 I was in an educational short called “Halloween Safety” made by Centron/ Coronet films (here’s a still, though this isn’t me):

and then 23 years later I was in a feature length porn film called “A Return to Boobsville” (more on this someday, but for now you can just click here if you wanna see a screen grab. It probably falls somewhere between kinda safe & kinda not safe for work, but don’t worry; I kept my clothes on the whole time).

Now while these two appearances share a few similarities (I’d suggest that both try to inform and entertain the viewer for example), the main difference as I see it is that I can easily watch “A Return to Boobsville” all day and night on a variety of formats, but “Halloween Safety” vanished from me the day it was made and remains lost in my own mental limbo. I thought I’d catch a break when I was still living in Kansas and Centron threw out tons of their old film around 1992, but a friend of mine salvaged much of it from the dumpster behind their offices and nothing turned up. When “Carnival of Souls” came out in a hotshit double-disc Criterion Collection edition I hoped that, among the other Centron educationals, “Halloween Safety” might appear (there’s a spooky thematic bridge there, right?), but no dice. Hey I even asked Something Weird Video to poke around when I was designing box covers for them, but they didn’t find a thing.

These days I can barely remember anything about the experience, but here’s what remains: in 1976 I was asked to be in the film by a scout who visited my grade school and picked me out of my 2nd grade class’s outfit parade. My costume was a homemade Creature From The Black Lagoon getup with a thin rubber mask ordered out of a comic book for the head, and my previous year’s Sears-bought “Planet of the Apes” suit turned inside out, dyed green and accented with darker green hanging cheesecloth (which was supposed to resemble seaweed) for the body. I’m pretty sure my screen time is totally minimal and all I really recall is that I told a “Halloween joke” in a party scene, I was scolded for being too rambunctious at one point, and I marched around a bit with the other kids — that’s pretty much it.

So by now I’m sure it’s rather obvious that I, you know, need to see this again, right? Well I’m hoping that through the magic of the internet, I can finally close in. From what I can sleuth out through Google it seems that a number of schools claim the title in their collections, and for a while a company called “Magic Lantern” even stuck up a short clip (that’s where the picture for this post came from) culled from the 1985 “Second Edition”. To be honest I don’t really know if the ’85 release is a re-editing of the ’77 version or if it’s 100% unique, but seeing that clip was the closest I’ve gotten to this thing in years. My question now is: can anyone out there help? Perhaps some obsessive educational film collector or someone with access to a school film library? Anyone? C’mon now! Just hit me up!

Heh. Man, I sure hope that after all these years it turns out I’m actually IN this thing.

…yanked from the comments because it’s just too cool, here’s a vintage Woolworths/ Woolco Halloween TV ad from 1976 that features the “Sounds to Make You Shiver” LP!

Thanks for spotting it Lochnar13, and thanks to Super 8 Monsters.com for uploading it in the first place; you both rule!

I could probably do with a cleaner copy of this record, but since it contains some great stories I decided to post it in time for Halloween rather than seek out an upgrade (and if one comes along I’ll just swap out the zip file).

UPDATE: The ass-kickingly generous Dr. Terror was gracious enough to upload a totally great sounding rip in the comments section here, so I’ve separated out the tracks, re-tagged it & uploaded it w/ album art over the original zip. If you downloaded the earlier version (sourced from my static-laden LP) I think you’ll find this new version to be a drastic improvement. Thanks again Dr. Terror!

UPDATE II: Some folks were having trouble extracting a few of the files, so hopefully the third time’s the charm here

Sourced from folklore scholar Alvin Schwartz’s 1981 collection of the same name, “Scary Stories To Tell In The Dark” features a familiar batch of concepts at work (opener “The Big Toe” is even mentioned in the liner notes as “having almost as many variants as storytellers”), but Irving is clearly having fun with the material and the addition of background music makes the LP almost seem more like an early ’70’s Troll record (click here and here for examples) than many of Caedmon’s other offerings. Still it IS clearly Caedmon — the literary angle is high, and the mix of jokey quick sketches and creepier bits work well together in conjuring up the intended sleep over/ campfire/ dark room vibe, making the album well suited for kids who like a few hackles.

“So put on the recording, sit back with a friend (or alone, if you dare), and let your flesh crawl. AND TURN OUT THOSE LIGHTS!”

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The mighty Butch Patrick’s band! Direct instigators for the Mtv “Basement Tapes” series (which as a wee lad introduced me to the greatness of Lubbock, TX’s New Wave finest, the Nelsons, but that’s another story)! Creators of this great novelty Wave-O tune beloved by many a Dr. Demento listener! Fronted by the coolest kid in Munster-land (not to mention Lidsville)! Pointlessly tied up in rights-issue nonsense & shockingly nowhere to be found! He’s the kid from Mockingbird Lane!

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In the tradition of the Spearhead Marketing “Halloween Party Instructions & Story” single that I posted some time ago, comes this form and function flexi designed to be used in combination with your own live-action Halloween party. I doubt I could describe it any better than supercool sexploitation expert Terry Thome (who was kind enough to send it to me) did in his email, so let me just quote him here:

“The set had everything needed to throw a Halloween party. Part one of the record is called “NEEWOLLAH, The Witch Story” where “Neewollah the Witch” tells her story of how she became a witch. Part two (on the same side) is the “HAUNTED HOUSE TOUR”; the idea here is the host sets up a room in advance with fabric hanging from the ceiling (cobwebs) and peeled grapes in a bowl (eyeballs) and such. Then, during the party, kids are blindfolded and led through the room while the record plays and they feel the grapes and are basically hit with objects to simulate a haunted house. I never went through with the party, but I played the record enough. Actually, I’m surprised the record plays as well as it does considering it hasn’t been treated with the best of dignity through the years.”

…and that about sums it up. In fact the only thing he really left out is that it’s a sure bet “Neewollah”‘s voice is going to drive you to tear all of your hair out by the end, and that’s probably just perfect.

The Haunted House Company “Halloween Party Planner Flexi” (219 VBR kbps)

From well known film composer Kenyon Hopkins came these 3 cool albums of stories-in-sound, released in 1958, 1959 & 1962 respectively. Well described by Tony Maygarden as “lots of spooky sound effects over tone poems with a jazz beat”, the first two were recorded for ABC (while Hopkins was semi-moonlighting from Capitol under the “Creed Taylor Orchestra” moniker), and the third was released by MGM under his own name. Over the course of the three albums Hopkins mostly depicts the short tales utilizing his compositional skills, throwing in extra layers of library effects and the occasional voice-over to fully paint the picture. The end result, somewhat in the “Alfred Hitchcock Presents” tradition of the day, is both creepy & classy. Hey! Just like you!

“If you were expecting a little dinner music, perhaps you’ve come to the wrong place. Then, again, when was the last time you had us over?

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…and just to round things out, here’s a pair of Famous Monsters ads: